“The creative process is a process of surrender, not control.” –Julia Cameron
People, I have fallen hard for pottery. I suppose this shouldn’t be a huge surprise given the collection of bowls, plates, and sauce dishes gracing my cupboards. In The Artist’s Way, Julia Cameron says that when searching for a creative home, one should pay attention to the sideline where she’s sitting. My sidelines involved gallery windows, peeking in at the works of electric, raku, and soda kilns. After years of turning the idea in my mind, I signed up for a pottery class in January and have since felt like I’m fifteen all over again. I’m thinking about it as I fall asleep at night. I’m stalking it on the internet. I want to know every little thing about it. Finding a new art is like falling in love again. I can’t get enough.
When I took my first class earlier in the year, I thought wheel throwing was where the magic happened. After all, if we’ve learned anything from Ghost it’s that wheel throwing is the sexy poster child for pottery. Being able to make casserole dishes and garlic keepers may not be what most people file under the “hot” column. However, when Demi and Patrick got together on the wheel, clay was foreplay.
I should let you know, now that I’ve mentioned it, the first rule of pottery (a la Fight Club). The first rule of pottery is never mention Ghost. No cracks about Whoopie Goldberg should be uttered. No melodies – chained or otherwise – should be hummed. Apparently some potters even have little signs posted in their studios warning that any mentions of the 1990 classic are verboten. This is, of course, quite difficult. It’s like singing Mandy the first time you meet a girl named Mandy, asking a tall person how the weather is up there, or making a Mr. Clean joke to a bald guy. Yes, they’ve heard that joke a thousand times before. Stale, sure, but somehow the jokes can be downright irresistible.
I don’t always have the best luck fighting these urges, and so fortuitously while wheel throwing has been challenging and interesting, that’s not where I’ve found the spark. It’s come as a surprise to me that hand building is where my creativity comes to life. There’s nothing quite like getting into a zone and seeing what happens next. After rolling slabs of clay, I can fold, meld, slip and score. I see what the clay wants to do, how it wants to be molded and moved. Working with it is part art and part architecture. Building walls and a base, smoothing the sides and giving definition has an order to it while still being a fluid kind of meditation.
After the clay has dried, pottery becomes parenting. You do what you can and then you have to let go. Despite your best laid plans, there may be cracks in the kiln. The glaze may be totally different than you’d envisioned. Sometimes everything comes together in a cosmically wonderful way and sometimes it’s hideous. To a certain degree, you don’t know what you’re going to get. It’s a surprise every time.
You’ll be seeing me more regularly again for the next few weeks since I’ll be back in the kitchen dirtying dishes instead of making them while I wait for my next pottery session to begin. I’ll be thinking about you, Pottery… Oh, and just one more teensy little thing…









